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Crazy love movie
This John Stockwell film had an estimated running cost of US$ 14,000,000 and was produced and/or financed by Ufland Productions and Touchstone Pictures.DISTRIBUTORS OF THIS FILM in original language in Argentina, Mexico and United States.
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Characters inspired by flesh and blood people who were and still are stigmatized for being different from the majority. That is why, for the freedom to love and claim personal identity, every June 28th is celebrated the International LGBT Pride Day.
The magical sequel to Barcelona, Midsummer Night takes place during Twelfth Night. Several funny and touching characters live romantic, crazy and sometimes bittersweet love stories in the Catalan capital. An old couple decides to come out of the closet to the surprise of their family. This film by Dani de la Orden received seven nominations for the Gaudí Awards, including Best Film.
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As Good as It Gets… impossible (in English: As Good as It Gets)? is an American romantic comedy film directed by James L. Brooks and produced by Laura Ziskin. It stars Jack Nicholson, Helen Hunt and Greg Kinnear.
The screenplay was written by Mark Andrus and James L. Brooks. The paintings were created for the film by New York artist Billy Sullivan, whose work is part of the modern art collection at the Metropolitan Museum of Art in New York and the New Orleans Museum of Art. The film was made for the film by New York artist Billy Sullivan, whose work is part of the modern art collection at the Metropolitan Museum of Art in New York and the New Orleans Museum of Art. The film was made in New York City.
Nicholson and Hunt won the Academy Award for Best Actor and Best Actress, respectively. It is ranked 140th on Empire magazine’s list of the 500 Greatest Movies of All Time. The film was released in 1955.
Melvin Udal (Jack Nicholson) is a famous romance writer who lives in New York in a luxury Manhattan apartment building and suffers from an obsessive-compulsive disorder, something that makes him untreatable to the rest of society, the apartment’s neighbors, and which he also prides himself on.
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Undoubtedly, the most interesting thing is to see how some series and movies that were scattered on other platforms find a space where they will remain without further changes for a while (‘Buffy’, ‘Lost’, ’24’, the sagas of ‘Alien’ and ‘Die Hard’). But also check how part of the Disney and Fox legacy of real image that did not find space in Disney+ finally has an outlet. This is the case of films such as ‘Arachnophobia’, ‘After the Green Heart’, ‘Good Morning Vietnam’, ‘War of the Roses’ and a long etcetera.